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Want To Know More About All-In-One Solutions?
By using sections together (grouped by articulation rather than section) it takes the opposite approach to the BBCSO. This library not only features ensemble patches with the 3 sections of the orchestra on various articulations, but also has various drums and percussion, organic and warped loops, and synth patches made from the orchestral samples, which makes this a truly epic collection of sounds for anyone wanting to get into trailer, or cinematic music composition. It has since been re-released with new samples and features in 2018 and is definitely a staple when it comes to orchestral sample libraries. This is an old but classic all in one library from Spitfire Audio, originally released in 2008.
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It’s remarkable firstly because it gives you access to breadth across the entire symphony orchestra (admittedly with a limited articulation set) but secondly because it’s only £49 (or you can even get it free if you fill in a survey).
#Garritan orchestra review pro#
Renowned for their high-end sample libraries, curated tutorials and free “labs” libraries, BBCSO Discover is a curated version made up of some useful samples taken from the BBC Symphony Orchestra Core + Pro libraries, which are the big brothers and sisters of the starter library. Will my computer handle it? What is the likelihood of my computer having enough power to run the instrument! Some sample libraries are HUGE and can be memory and CPU hogs as well as taking up vast amounts of space on drives - so I need to be sure the trade-off is worth it each time.īBC Symphony Orchestra Discover is a remarkable product from Spitfire Audio. It’s crucial to consider both the sound of the sample and the sound of the acoustic it was recorded within. Sometimes I need it to feel like it’s in a much larger environment. Sometimes I need something to sound dry and intimate. A great GUI is nothing if it doesn’t sound good pretty quickly - I’m trying to be a musician, not a computer scientist!įlexibility of sound. If I can’t understand the GUI or the way in which I’m supposed to use it, then I tend to drift away from something. Here are some considerations when choosing orchestral sample libraries to work with… What To Look For In Orchestral Sample Libraries Is it for sketching or for final output to a client or program? How will you blend libraries that are recorded more dryly compared with those recorded in a large hall? Do you stick with one product family (recorded in the same hall so they might blend) or do you mix and match? For example, all the Cine family of libraries were recorded in the MGM scoring stage at Sony Pictures. How much time do you want to spend learning it? Intimate, dry, epic, wet?ĭo you need premade ensembles, or are you prepared to make them?ĭo you want exact individual samples or smearing with movement, for example?
#Garritan orchestra review how to#
How Do You Choose?īefore we get stuck into exploring sample libraries, some advice on how to choose the right orchestra sample libraries for you…
We would like to thank Mark Fabian, David’s assistant for helping us put together the audio demos throughout this series. Here are two examples, first, here is a clip using the EXS24… To give you a sense of the difference between the “stock” orchestral sounds found in DAW ROMplers like Logic’s EXS24 and bespoke instruments, the best way is to hear it.
To help, we asked composer David Tobin, who has many years of composing, arranging and orchestration credits in film, TV, and theatre and is a master at creating orchestral/crossover scores for advertising and commercials as well as film trailers, to use his experience and share his personal favourites, including the pros and cons of each library.īecause the market is so large, David split up the orchestra and looked at libraries that focus on a specific orchestral section, strings, brass, etc, as well as looking at some all-in-one solutions and other tools that he uses to get the sound and performance his clients depend on him for.
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The sheer number of companies producing top-quality software for orchestral sampling has increased substantially of late, and there are more options now for the digital composer than ever before in this ever-expanding ecosystem. Compiling a list of the best orchestral sample libraries available becomes more and more difficult every year.
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